Wombat Books Blog

Wombat Books blog is the place to keep up to date with all the goings-on in the world of Aussie kid's books.

Meet Illustration Challenge Winner: Rory

1. Tell us about your illustration for Around Australia in 30 Places.

In my illustration for “Around Australia in 30 Places” I aimed to incorporate Rory Smithas much of the natural beauty found in the Australian landscape as I possibly could. The natural environment in itself is such a precious and beautiful thing and portraying this accurately in my illustration proved to be a challenge. I tried to capture the landscape in a unique way that portrayed the way I perceive it and its wonders. This experience has helped me to develop new skills with my art and has helped me gain insights and new perspectives on the Australian environment that I am lucky enough to live in.

2. If you could travel anywhere in Australia, where would it be?

If I could travel anywhere in Australia I would love to visit the end of the world in Tasmania. It is such a beautiful and peaceful spot that looks so inviting. Being able to experience the beauty of the natural environment with the fresh, crisp air would be a dream come true. I think it would be quite an inspiration for many artworks seeing as the great expanse of ocean is just a glance away. At the end of the world Tasmania, there is so much open space surrounded by natural vegetation which would be a lovely way to escape the bustling cities of the mainland.

3. What would be your No.1 travel tip?

I think my number one travel tip would be to live in the moment and take it all in while you can. Take a step away from your device and any distractions and just take the opportunity to appreciate where you are and all you have to be grateful for. I find that when you just focus on where you are now, the experience is so pure and eye opening that nothing could make you forget how you feel in that moment. When you just take the time to be in immersed in the moment, you are able to fully appreciate where you are and what you are doing, which I think is ideal when you are travelling.

4. What’s something you can’t live without in your suitcase?

I think the one thing I couldn’t live without in my suitcase would be my camera. When going on a holiday I find so much inspiration in the places I go. The atmosphere is always different, there’s always new things to discover and explore. Having my camera allows me to capture the memories I make and the atmosphere I never want to forget. Also, seeing as photography is such a passion of mine, I feel that practicing in a new environment is very good to help develop my skills and make the trip even more enjoyable.

Around Australia in 30 Places is available for pre-order now.Rory snippet Resize

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Meet Our New Publishing Assistant: Bec

Bec FoleyBec is a recent QUT graduate who was born and raised in Mackay. She loved books, reading, and writing all through school, especially when they provided an opportunity to escape into fantastical other worlds. She’s very excited to join the team! Bec is hunting for a wonderful fantasy to add to the Wombat Books publishing list.

What book made you want to get into publishing?
The Raven Cycle by Maggie Stiefvater. I really wanted to get involved with the creative process of something that’s both engaging at the surface level, but contains interesting ideas, and uses mythology and history to construct something unique.

What’s your favourite thing about publishing for children?
Broadening horizons and opening people’s minds to new possibilities.

What are you most excited about working on at Wombat Books?
I’m excited with collaborating with authors on things they’re passionate about - really bringing the book’s strengths to the fore, so that the reader loves the book just as much as we do.

What do you think makes a great children’s fantasy?
Especially for children’s fantasy, specifics of worldbuilding matter less than high concept and consistency. I also love to see a strong use of theme tying everything together.

What would you like to see in the submissions portal for you to read?
I’m a big fan of three-dimensional female protagonists. I think the things that connect the reader to the character are often character flaws, so I love to see authors who aren’t afraid to work with imperfection. Everybody loves an underdog!

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Heather Gallagher talks about Happy Pants and Mental Health

Heather Gallagher talks about Happy Pants and Mental Health
1. Could you tell me about how your particular book works through young kids and their experiences with mental illness in their relatives/older friends?
Happy Pants – Why is Mummy so sad? was conceived to give children an insight into post-natal depression. The idea was to provide an ‘everyboy’ character who kids can relate to and show how he grapples to understand his Mum’s depression. My experience with other mothers suffering Post Natal Depression was that they tried to hide it from their kids – not cry in front of them, etc – but kids instinctively know something is not right. The idea with Happy Pants was to provide reassurance that the child is not the only one in this situation and that things will improve with time.
2. Why do you think it’s important to teach children about mental illness and the effects it can have on those who are close to the person affected?
Mental illness is a huge issue in our society and yet there remains stigma. The only way to break down the stigma is to keep talking about it – it’s also really helpful when high profile celebrities like Buddy Franklin come out about their experiences. The chances of a child being effected by someone with a mental illness or going on to suffer one themselves are great. To my mind, it’s better to be forewarned. If we educate our children about mental illness, they will be more likely to seek help early and hopefully more empathetic to others who might be suffering.
3. What do you hope children learn from your book?
I like to think my book works on a couple of levels. Obviously, it is specifically aimed at children whose mothers are suffering from PND and I hope in this respect it will provide a sense of recognition and comfort. But I’ve been told by other readers that the book can also work to explain to a child about a mother suffering from another kind of illness or even to just let kids know that even Mums have their bad patches.
4. Have you been affected by the presence of mental illness in your life i.e. a relative or a friend close to you? What about this experience changed or affected you?
I suffered post-natal depression after the births of both my children and have suffered from more general depression on and off throughout my life. My PND actually connected me with some wonderful women (also suffering) who have become enduring friends. I think one of the elements of depression is that you are in a state of perpetual existential angst – what am I here for, what’s it all about, etc? For me, and many of my friends, the depression actually acted to firm up a resolve to take a different life path. It crystalized my passion for writing and I actually wrote Happy Pants while recovering from a bout of depression. 
5. Do you think that from this experience you realised the importance of learning about mental illness from an early age? If not, what was the inspiration behind writing the book?
I grew up in an age where people talked about ‘loony bins’. Mental illness was not talked about. Looking back, I think I was probably depressed when I was doing my HSC but it would never have occurred to me to call it that or to think to ask for help. I think kids are much more aware these days and most schools have wellbeing counsellors, anti-bullying initiatives and other programs in place to support mental health.   
I think talking about mental illness with kids can be compared to talking about sex. The sooner you can feasibly introduce it so it’s just a normal part of life, the better. Kids are really young (usually) when their Mum is suffering from post-natal depression so I guess this was part of my motivation. To create a tool for parents and teachers to discuss this subject which has probably been bothering the child but they haven’t got the language to talk about it. 
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